Every man has his price... and every woman pays it.
A smooth-talking French thief wangles his way into an important position as prefect of police.
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George Sanders
Eugéne François Vidocq
Signe Hasso
Therese De Pierremont
Carole Landis
Loretta de Richet
Akim Tamiroff
Emile Vernet
Gene Lockhart
Prefect of Police Richet
Alma Kruger
Marquise De Pierremont
Alan Napier
Houdon De Pierremont, Police Minister
Jo Ann Marlowe
Mimi De Pierremont
Vladimir Sokoloff
Uncle Hugo
Pedro de Cordoba
Priest
Leona Maricle
Owner of Dress Shop
Fritz Leiber
Painter
Skelton Knaggs
Cousin Pierre
Fred Nurney
Cousin Gabriel
Gisela Werbisek
Aunt Ernestine
Marvin Davis
Little Louis
Barbara Bates
Girl by pool
Cindy Garner
Mary Icide
Daun Kennedy
CinemaSerf
December 3, 2023
"Vidocq" - well that's the name he ultimately elects to stick with - has something of the "Oliver Twist" to the story of his birth. His mother was a petty thief, constantly in and out of jail, so he decides to follow in the family tradition where he (now George Sanders) meets "Emile" (Akim Tamiroff) and the two set about making themselves their fortunes! Their lively adventures eventually take them to the home of the influential Marquis de Pierremont where using a fair degree of guile - and having secured the amorous attentions of his grand-daughter - he finds himself chief of police and ideally situated to relieve the Bank of Paris of 50 million Francs. Thing is, the man he dispossessed of the job (Gene Lockhart) is convinced that something is amiss and is determined to expose the charlatans. Meantime, the erstwhile inscrutable "Vidocq" might actually be falling in love and considering a decent life on the right side of the law! I quite like the mischievous premiss here, and the first ten minutes - with a witty accompanying narrative - are quite entertaining. Thereafter, though, it all rather falls into a predictable melodramatic romp through Parisian society and the kleptomaniac tendencies of our hero start to become subsumed into a sea of romantic slush - despite the more venal aspirations of "Loretta" (Carole Landis). The production is really stage bound - especially noticeable with some of the supposedly outdoor scenes - and there's just too much chat and not enough interesting going on. I was quite disappointed with this plodding fancy dress drama, sorry.
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