

Sound
Daniel Robert Elfman (born May 29, 1953) is an American film composer, singer, songwriter, and musician. He came to prominence as the lead vocalist and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall. Elfman has frequently worked with directors Tim Burton, Sam Raimi, and Gus Van Sant, contributing music to nearly 20 Burton projects, including Pee-Wee's...
Highest rated appearances
as Bonejangles (voice)
Score: A Film Music Documentary
as Self

Shadows of the Bat: The Cinematic Saga of the Dark Knight
as Self

Proud Iza
as Narrator
Charlie and the Chocolate Factory: Sweet Sounds
as Himself

Corpse Bride
as Bonejangles (voice)

Becoming Oompa-Loompa

Charlie and the Chocolate Factory
as Oompa Loompa (voice) (uncredited)

Spider-Man 2: Making the Amazing
as Self

Behind the Scenes of 'Spider-Man'
as Self
The Making of 'Hulk'
as Self
The Incredible Ang Lee
as Self

Cosmic Symphonies: Elfman in Space
as Self

The Gift
as Tommy Lee Ballard

Sleepy Hollow: Behind the Legend
as Self

Fantasporto – Carnaval no Porto

Psycho Path
as Self - Arranger

The Making of 'The Frighteners'
as Self

Oingo Boingo: Farewell (Live from the Universal Amphitheatre)
as Self
The Hollywood Soundtrack Story
as Self

How the Grinch Stole Christmas! Special Edition
as Self

The Nightmare Before Christmas
as Jack Skellington (singing) / Barrel / Clown with the Tear away Face (voice)

The Making of Tim Burton's 'The Nightmare Before Christmas'
as Self - Composer

The Magical World of Chuck Jones
as Self
Oingo Boingo: October 25th, 1990

Oingo Boingo: Skeletons in the Closet
as Himself, Waiter

Oingo Boingo: Halloween '87
as Himself

Back to School
as Oingo Boingo Band Member

Oingo Boingo: Live at the Ritz
as Self - Lead Vocals, Guitar

Good Morning, Mr. Orwell
as Self

Forbidden Zone
as Satan

Urgh! A Music War
as Self